N_34_vk_com_englishmagazines.pdf

(16674 KB) Pobierz
RY
EE E v E
16 / F R
20
13 M AY
F R i d AY
O
5
0
A
L
BU
M
S
T
HE
AR
BE
FOR
E
Y
O
U
DI
E
Hello...
I’vE BANGED ON IN THIS
column a few times about the
enduring power of the album, and
this week’s issue gives me license
to do it again. We’ve rounded up 50
of the coolest and most influential
people on the planet, including
Quentin Tarantino, St vincent,
Azealia Banks, Chuck D, Grimes
and Dave Grohl, and asked them
to pick one album that
everyone
should hear before they die.
Their choices are fascinating.
There are the classics you’d expect
by the likes of Bowie, Dr Dre and
Black Sabbath in there, but it’s the
lesser-known choices like Jacques
Dutronc’s self-titled album from
1968 picked by Ellie Rowsell from
Wolf Alice, or Alex Turner going for
Rainmaker by Michael Chapman,
which came out a year later, that
really excite me. It’s a reminder
that no matter how much time
you spend absorbing brilliant new
music or digging for lost gems
from the past, there’ll always be
amazing records you’ve never
heard. vinyl sales are at a record
high, Beyoncé is releasing concept
albums, and the LP is here to stay.
Enjoy the list.
MIkE WILLIAMS
Editor-in-Chief
@itsmikelike
C OV ER ph OtOs : R E x, s h u t t ER stO C k
Skepta’s album is
reviewed on
p28
F E AT U R E S
16
50 records to hear before you die
Dave Grohl picks the B-52s. Quentin Tarantino picks Bob Dylan.
Hayley Williams picks Failure. And 47 more...
SECTIONS
5
27
REGULARS
38
12
Things We Like
14
What’s On Your Headphones?
36
Under The Radar
46
Soundtrack Of My Life
editoriaL
Editor-in-Chief
Mike Williams
PA To Editor-in-Chief
Karen Walter (Ext 6864)
Deputy Editor
Tom Howard (Ext 6866)
Digital Editor
Charlotte Gunn (Ext 6108)
Commissioning Editor
Dan Stubbs (Ext 6858)
New Music Editor
Matt Wilkinson (Ext 6856)
Senior News Reporter
David Renshaw (Ext 6877)
News Reporters
Luke Morgan Britton
(Ext 6863), Nick Levine
Senior Staff Writer
Leonie Cooper
Staff Writers
Jordan Bassett, Larry Bartleet, Alex Flood
Creative Director
Simon Freeborough
Designer
Dani Liqueri (Ext 6884)
Pictures
Rachel Billings, Caroline Jeffrey
Production Hub Director
Sue Smith
Sub-Editors
Lola Ayanbunmi, Gemma Birss, Melissa Harteam Smith, Lyndsey Heffernan, Holly Stone
Online Producer
Jo Weakley (Ext 6909)
With help from
Dave Botham, Steve East, Colin Houlson, Sean Lynn, Julia Newcomb, Sam Moore, Tom Smith
Illustrations
Studio Moross
110 S o u th wa r k S t
Lo n d o n
S e1 0 S u
TEL
020 3148
+ Ext
a dv e r t i S i n g
Group Advertising Director
Romano Sidoli
PA To Group Advertising Director
Kelly Litten (Ext 2621)
Head Of Market, Music
Andrew Minnis (Ext 4252)
Brand Manager
Matthew Chalkley (Ext 6722)
Creative Media Manager
Benedict Ransley (Ext 6783)
Display And Labels Senior Sales Executive
Steve Woollett (Ext 2670)
Display And Live Senior Sales Executive
Freddie Bunn (Ext 2662)
Ad Production Manager
Barry Skinner (Ext 2538)
Head Of Project Management
Lizzie Hempshall (Ext 6726)
P u b Li S h i n g
Production Operations Director
Richard Hill (Ext 5422)
Production Manager
Tom Jennings (Ext 5448)
International Licensing Manager
Bianca Hamilton-Foster (Ext 5490)
Senior Marketing Executive
Charlotte Treadaway (Ext 6779)
Publisher
Ellie Miles (Ext 6775)
General Manager
Jo Smalley
Group Managing Director
Paul Cheal
Time Inc CEO
Marcus Rich
EDITORIAL COMPLAINTS
We work hard to achieve the highest standards of editorial content, and we are committed to complying with the Editors’ Code of Practice (https://www.ipso.co.uk/IPSO/cop.html) as enforced by IPSO.
If you have a complaint about our editorial content, you can email us at complaints@timeinc.com or write to Complaints Manager, Time Inc. (UK) Ltd Legal Department, Blue Fin Building, 110 Southwark Street, London, SE1 0SU. Please provide details of the
material you are complaining about and explain your complaint by reference to the Editors’ Code. We will endeavour to acknowledge your complaint within 5 working days and we aim to correct substantial errors as soon as possible.
© Time Inc. (UK) Ltd Reproduction of any material without permission is strictly forbidden LEGAL STUFF: NME is published weekly by Time Inc. (UK) Ltd, 8th Floor, Blue Fin Building, 110 Southwark Street, London SE1 0SU. NOT FOR RESALE.
All rights reserved and reproduction without permission strictly forbidden. All contributions to NME must be original and not duplicated to other publications. The editor reserves the right to shorten or modify any letter or material submitted.
Time Inc. (UK) Ltd or its associated companies reserves the right to reuse any submission, in any format or medium. Printed by Polestar Sheffield. Origination by Rhapsody. Distributed by IPC Marketforce. © 2016 Time Inc. (UK) Ltd.
Subscription rates: one year (49 issues): UK £36; Europe 70 Euros; North America $77; rest of world £50. For subscription enquiries, please call +44 (0) 33 0333 1133 or email help@magazinesdirect.com.
3
What everyone’s ta lking about this Week
Moon landing
the ninth radiohead album is out and the world’s a better place
AfTEr All ThE WhiSPEriNGS,
radiohead’s new lP is upon us.
it’s a collection of songs that have
existed for a while, but never had
proper studio versions (including
‘True love Waits’ and ‘identikit’),
plus the tracks ‘Decks Dark’,
‘Glass Eyes’, ‘Tinker Tailor Soldier
Sailor rich Man Poor Man Beggar
Man Thief’. The latter’s title is taken
from a 1695 nursery rhyme.
The london Contemporary
Orchestra provide the orchestration.
fans’ reactions have ranged
from tweets such as, “it’s boring but
i’ll probably be obsessed in four
more listens,” to YouTube clips of
fans munching pics of Thom Yorke.
This can be traced back to a reddit
sub-thread, entitled “Time to settle
this. if lP9 is announced Or
released May 6, i will eat a photo of
Thom Yorke”. Diehards dutifully
took up the challenge.
Thom Yorke and Jonny
Greenwood tinkering with
‘A Moon Shaped Pool’ at la
fabrique Studios in france
Million-dollar questions
Mystery surrounds
A Moon Shaped Pool
Is this the last
Radiohead album?
Some fans reckon so, and their
key piece of evidence is the
inclusion of so many old
favourites on it. Are the band
tying up some loose ends?
Why is the tracklisting in
alphabetical order?
When Google Play prematurely
made the album available (and
promptly took it down), it was
presumed the alphabetical
tracklisting was a mistake.
But no.
Why isn’t
spectre
on the album?
The band released the song
in 2015 after it was rejected as
the theme for the James Bond
film of the same name, but it’s
not on
AMSP.
Is it relevant that the
album opens with the
word
stay
and ends
with the word
leave?
radiohead are thinkers,
so probably.
●
Turn to page 29 for NME’s
review of ‘AMSP’
5
ph oto : c o l i n g r een wo o d

Plik z chomika:

Inne pliki z tego folderu:

Inne foldery tego chomika:

Zgłoś jeśli naruszono regulamin