00:00:02:...washed-up cabaret artists|in my beautiful basement, sir. 00:00:07:Tony, I'm getting out. 00:00:09:Out of the country. 00:00:12:{Y:i}Out of the country? 00:00:15:Now listen, Tone. 00:00:17:I'm gonna tell you|where I keep my rainy-day money. 00:00:22:You shoot too much of that shit, Pherber. 00:00:27:Too much vitamin B12|has never hurt anybody. 00:00:31:{Y:i}- Behind the boiler, you mean?|- Well behind. Persevere. 00:00:35:There's two grand in that bag, Tone. 00:00:37:First off, I want you to nick a drink|for yourself. Five hundred quid. 00:00:41:You're a gentleman, Chas. 00:00:43:No, I want you to have it. 00:00:44:You and Marge. 00:00:46:Now second off... 00:00:47:...I?ve gotta get a passport. 00:00:49:There's a geezer... Have you got a pencil? 00:00:52:Cypriot geezer. His name is Thanopoulos. 00:00:54:Hey, Johnny,|Mom says do you want an egg? 00:00:57:You got that, Tone? Goodbye. 00:00:59:And Turner says will you come up|and see him, please. 00:01:02:All right, Lorrie. I'll be up. 00:01:08:- What a freak show.|- Where are you then? 00:01:10:Oh, you know, on the left. 00:01:12:- Oh, yeah, yeah.|- I tell you, it's terrible. 00:01:14:It's a right pisshole. 00:01:17:Long hair... 00:01:19:...beatniks... 00:01:20:...druggers, free love... 00:01:23:{Y:i}... foreigners, you name it. 00:01:25:But I'm not bothered, Tone. I'm well in. 00:01:27:And you couldn't find|a better hidey-hole. 00:01:41:In you go, Dad. 00:03:06:Afternoon, Mr. Turner. 00:03:07:Good afternoon, Mr... 00:03:12:There's been a mistake. 00:03:15:You can't have the room. 00:03:17:What? 00:03:18:It's not for rent. 00:03:21:Wait a minute. The lady just said... 00:03:23:The lady said? 00:03:26:I don't tell her everything. 00:03:28:She's my secretary. 00:03:31:I got a lot of work to do. 00:03:34:Under a lot of pressure. 00:03:38:Here. 00:03:39:No, I don't want it. 00:03:42:That carpet's 200 years old. 00:03:44:It looks it. 00:03:46:A valuable antique, is it? 00:03:51:Listen, I got to say goodbye now. 00:03:56:Mr. Turner, I've got all my luggage,|my stage gear... 00:03:58:...it's all coming here from the continent. 00:04:01:Your what? 00:04:03:My luggage.|My juggling, you know, stuff. 00:04:07:Why don't you go to a hotel? 00:04:09:A hotel? You must be joking. 00:04:12:Look, I need a... 00:04:16:I need a bohemian atmosphere. 00:04:18:I'm an artist, Mr. Turner. 00:04:22:Like yourself. 00:04:26:- You juggle?|- Why not? 00:04:29:Why, why not? Why not a jongleur? 00:04:32:It's the third oldest profession. 00:04:35:You're a performer of natural magic. 00:04:42:I... I perform. 00:04:44:I bet you do. 00:04:46:I can tell by your vibrations... 00:04:48:...you're the anti-gravity man! 00:04:53:Amateur night at the Apollo. 00:04:56:Cheops in his bloody pyramid. 00:04:58:He dug a juggler or two, didn't he?|Remember? 00:05:06:And the tetrarchs of Sodom... 00:05:08:...and Orbis Tertius. 00:05:10:Am I right? Am I right, babe? 00:05:13:More or less. 00:05:14:Personally, I just, you know... 00:05:17:...perform. 00:05:19:Oh, you're a modest chap. 00:05:26:Because after all, there was only one.|Only one. 00:05:29:- Only one what?|- And right you are. 00:05:32:Enrico Rastelli. 00:05:33:- You said it all, pal.|- Juggler to the King of Tuscany. 00:05:37:Now, about the room... 00:05:38:Fourteen balls. 00:05:39:How about just on a...|On a nightly basis? 00:05:42:Right. On a nightly basis. 00:05:44:On a horse. 00:05:46:And blindfold. 00:05:48:Talk about a performer. 00:05:50:Of course, I'm not telling you anything|you don't know, am I, old man? 00:05:55:You can't stay here, old man. 00:06:01:Not in the mood? 00:06:05:Why don't you play us a tune, pal? 00:06:10:I don't like music. 00:06:13:Comical little geezer. 00:06:15:You'll look funny when you're 50. 00:06:18:You'll have to go. 00:06:21:You wouldn't like it here. 00:06:25:Not like it? 00:06:27:A charming little basement suite? 00:06:29:I paid for it. 00:06:31:I love it. 00:06:34:No. 00:06:36:You wouldn't fit in here. 00:06:38:I would. 00:06:40:I'm determined to fit in. 00:06:43:I've got to fit in, Mr. Turner. 00:06:50:I see. 00:06:52:It's that bad, eh? 00:06:56:I wonder, Mr. Dean... 00:06:58:...if you were me, what would you do? 00:07:03:I don't know. 00:07:05:It depends. 00:07:06:It depends who you are. 00:07:08:Which I don't know. 00:07:10:Who I am? Do you know who you are? 00:07:14:Yes. 00:07:18:Well, that simplifies matters. 00:07:20:You can stay. 00:07:23:On a daily basis. 00:07:25:Yesterday until tomorrow, all right? 00:07:33:Thanks. 00:09:14:He wasn't that big. 00:09:15:I remember him quite well. 00:09:17:He was and all. 00:09:19:He was world-famous. 00:09:21:Well, when I was a nipper|he was chart-buster. 00:09:24:They come and they go. Pop stars. 00:09:26:He had a following. 00:09:28:I never fancied his stuff, myself. 00:09:30:I fancied him. 00:09:31:Old rubber lips. 00:09:32:He had three number one's... 00:09:34:...and two number two's|and a number four. 00:09:37:Fetch that tea over here, Lorrie. 00:09:42:Didn't last though, did it, his success? 00:09:44:- Well, he retired, didn't he?|- Oh, did he? 00:09:48:So, what's he do now then? 00:09:50:He stays... He stays here.|He's writing a book and some music. 00:09:53:Oh, yeah?|Is that why he's got a secretary? 00:09:56:That foreign bird, you know,|not the skinny one, the other one. 00:09:59:Pherber? Pherber's his lover, mate. 00:10:02:She cohabits with him|since years and years. 00:10:06:- Their love story's famous.|- Oh, yeah? 00:10:08:Yeah, you don't know nothing,|do you, Dad? 00:10:13:- When's Mom coming?|- Tonight. 00:10:19:That won't fit in, honey. 00:10:21:Look, it's all holes. 00:10:23:That won't fit in. 00:10:24:I know. I know how to do it.|Come on, I know. Here it is. 00:10:29:Look, this is the one. 00:10:31:You're getting fat, Lorraine. 00:10:33:Beans make you fat. 00:10:34:I'm sick of beans. 00:10:37:I don't really like that guy. 00:10:40:I think he's horrible. 00:10:42:You don't really like him, do you? 00:10:46:- What do you want...?|- I don't want anything! 00:10:49:I just let things happen! 00:10:52:Why did Turner let him stay? 00:10:57:- He changed his mind.|- Why? 00:10:59:Why did he let him stay? Why? 00:11:05:Mr. Dean? 00:11:06:Would you like me|to do your room now? 00:11:09:Oh, hello, Mrs. Gibbs. 00:11:10:No, thanks, dear. No. 00:11:12:Tomorrow will be fine. 00:11:13:Thanks a lot, love. Thank you. 00:11:16:{Y:i}"At this point,|something unforeseeable occurred. 00:11:19:{Y:i}From a corner of the room,|the old ecstatic gaucho... 00:11:22:{Y:i}... threw him a naked dagger|which landed at his feet. 00:11:26:Dalman bent over to pick it up. 00:11:28:'They would not have allowed|such things to happen to me... 00:11:31:...in the sanitarium,' he thought. 00:11:34:And he felt two things. 00:11:35:- The first..."|- Yes. 00:11:37:I know why. 00:11:40:- Yeah?|- Yes. 00:11:44:- What is it?|- I got a fly. 00:11:47:A fly? 00:11:49:In my eye. 00:11:54:- Why?|- Because you're afraid of him. 00:11:56:Yes, right. 00:11:59:Right. 00:12:01:And he's afraid too. 00:12:04:Of you? 00:12:11:Blower for you, Tony. 00:12:15:{Y:i}- Hello, uncle. How are you?|- Not bad, Tony. 00:12:18:Listen, I saw Thanopoulos. 00:12:21:He said, "Okay, yeah." 00:12:23:He can get you on a freighter. 00:12:25:Direct to the big city, New York. 00:12:27:{Y:i}Yeah, it'll cost you though. 00:12:28:This includes seaman's papers, passport,|graft to the skipper, all included. 00:12:32:{Y:i}Nine hundred quid. 00:12:34:Nine hundred? 00:12:37:The old robber. 00:12:38:{Y:i}Well, that's his rate. 00:12:40:No, Tony, you done very well.|You done very well. 00:12:43:- Good. When do I go?|- This week. Definitely. 00:12:46:Yeah. 00:12:47:Now listen. 00:12:49:He wants a little picture of you, mate. 00:12:51:Yeah, a little photograph|for your passport. 00:12:54:{Y:i}- You know what I mean?|- Oh, yeah. I get you. I get you. 00:12:57:Thanopoulos, he said,|"If you're friend's smart... 00:13:00:...he'll wanna look decidedly different|to what he normally does." 00:13:03:{Y:i}Grow a beard. 00:13:04:No, I'll think of something, Tone.|Don't worry. 00:13:07:{Y:i}Right then,|I'll hear from you tonight... 00:13:09:...at my gaff, 9:00, all right? 00:13:11:Chin up, uncle. 00:13:13:The land of opportunity awaits, eh? 00:13:49:- Three years too late.|- You said you wanted it. 00:13:51:I can't afford it. 00:13:53:I'm not sure if I like it, anyway. 00:13:56:I'll keep the frame. 00:14:02:Oh, come on, forget it. 00:14:04:He never buys anything.|Let's go back to Ula's. 00:14:07:Let's go. 00:14:32:Don't. 00:14:40:Oh, there you are. 00:14:42:Sorry to disturb, but has anyone|got a sixpence for the phone? 00:14:46:Can I use the blower up here? 00:14:49:We haven't got a blower up here. 00:14:52:What in God's name has he done|to his hair? 00:14:57:He's blown it. 00:14:59:Yeah, well, that's it, dear. 00:15:00:- I gotta ring up my agent again.|- Dye. 00:15:02:- I fancied the red.|- No, no, it was the red that was dyed. 00:15:07:Dead. Dyed. 00:15:11:- Red.|- Dyed it. 00:15:13:Dead. 00:15:15:Red. Red. 00:15:20:Van Gogh, eh? 00:15:21:Oh, no. This is the normal. 00:15:22:- The normal?|- Yeah. I was just having a laugh. 00:15:25:Having a laugh, you see?|With my act. With my image. 00:15:29:- You know what I mean?|- I know exactly what you mean. 00:15:33:Thought you would. 00:15:35:He reckons, my agent... 00:15:37:...that it's time for a change. 00:15:39:It's time for a change. 00:15:41:Well, I can see his point. 00:15:43:Yeah, so can I. 00:15:46:Personally, casting one's mind back. 00:15:48:Yeah? 00:15:51:- I rather liked it.|- The...? 00:15:55:No, ...
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