Rotel 06 SE series ENG.pdf
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06 SE Series
06 SE Series
A quiet word, if we may.
There’s something you ought
to know about the new 06 special
edition Series. We’ve spent
enormous amounts of time
maximising the enjoyment and
value for money you’ll get from
our new range of separates. But
we might have
been less attentive
than some people would like
towards the way they look.
Don’t get us wrong. We think
our 06 SE Series separates are
very easy on the eye. Deliberately
understated, you could say.
Certainly not the kind of
components that make an
exhibition of their masculine
physiques or wink their LEDs
seductively in the direction
of strangers.
We leave front-panel pyro-technics
to others. Our irst concern is with
the chemistry behind the buttons:
sourcing, testing and selecting
parts that will convey your music
with warmth, vibrancy and
sensitivity. Balancing experience
and experimentation in the pursuit
of quality and enjoyment. Creating
a sound that keeps getting better
the more you hear it. And provides
a series step up from the original
06 series delivering that sound
for a price that’s resolutely
unpretentious.
One last thing. If you want
audio equipment that’s going
to be noticed, let us guide you
elsewhere. If you want the sound
of your equipment to attract
attention, turn the page.
Sounding different
Single-minded The reason why
we’re able to put things like
pleasure, quality and value irst,
and give the giants of the audio
industry a run for their money,
is that we’re not like them.
Rotel is a family-owned business.
We don’t make MP3 players,
PCs or TVs. We’re specialists.
We make sound, for music and
home theatre systems. And that’s
all we’ve been doing for nearly
half a century. Our engineers
lead the ield in maximising the
accuracy of audio components
within affordable limits. Being
the biggest doesn’t interest us.
Being the best does.
Far-sighted Rotel products are
Rotel creations; we never buy
in and badge other people’s
equipment. That’s because we
source skills and parts with a
global sensibility. Today it’s widely
regarded as best practice, but
we brought together Far Eastern
manufacturing know-how and
European engineering prowess
over 25 years ago. Each product
is designed in Japan but its
prototypes are auditioned
exhaustively by a development
team in the UK. They reine the
sound by substituting parts or
adjusting tolerances. Finally,
when the circuit design has been
optimised, expert production
engineers at our quality-assured
plant in China prepare the product
for manufacture.
Inluential We measure our
value as a company by the value
we pass on to our customers.
It goes back to the early 1980s,
when we decided we didn’t want
to be just another audio company
sacriicing quality of performance
for quantity of ‘features’. We
changed direction and started
producing no-frills components
that sounded twice as expensive
as the price we asked for them.
A new category of audio was born,
meeting the needs of music-
lovers: we call it the ‘affordable
high-end’ category. We’ve led it
from day one and, with the 06 SE
Series, created a new benchmark
that others will struggle to match.
RT-09 The dawn of a new era
of Rotel products. The RT-09 is
Rotel’s irst internet radio. It
connects via wireless for quick
and easy access to thousands
of stations. Plus, the USB
socket for a media player lets
you access your own music.
Audiophile-quality DACs and
components also maintain
high-quality sound for DAB
and FM.
Photography by York Tillyer,
images courtesy of
Real World Records,
www.realworldrecords.com
Balanced Design Concept
“We’ve found that human hearing
is more sensitive than even
sophisticated intruments.”
To us, extraordinary sound
and unexceptional prices are
the natural order of things.
And it comes about because
our engineers practice something
called Balanced Design. This
concept strikes a balance
between the ‘price-no-object’
engineering of high-end audio
brands and the price orientated
approach typically taken with
most mass-market equipment.
Performance and price
in equilibrium.
Balanced Design came about
because our engineers are,
themselves, music-lovers who
nurture their designs like doting
parents. It has just two simple laws:
1. The best-sounding parts are
not necessarily the most costly;
2. No single design element
should be emphasised if it
causes performance in any
other part of the product
to suffer.
And we apply them to four key
stages in the design process:
when we’re engineering the power
supply and the circuit layout, and
when we’re evaluating the product
and selecting parts.
Parts selection Rotel engineers
spend many hours listening to
and selecting electronic parts
from potential suppliers to give
our components the best
reliability and acoustic
advantages. It costs a little more,
but we believe the beneits further
differentiate Rotel’s quality from
mainstream audio/video
manufacturers.
Circuit topology It’s not enough
to simply use better parts. Where
you put them is equally important.
That’s why we rely heavily on
something we call Symmetrical
Signal Trace design. This keeps
each channel’s signal path
identical to the others to preserve
imaging and sound staging.
We also use “star” grounding
techniques wherever possible
to improve performance
(a method of terminating all
ground points in a starshaped
pattern on a single plane that
reduces ground potential).
Critical evaluation We’ve found
that human hearing is more
sensitive than even sophisticated
instruments in the hands of
experienced engineers. We set
up listening sessions at various
development stages, not just the
inal pre-production prototype,
to ensure the performance of
a new model is as good as it can
possibly be.
Power Supply This lies at the
heart of any high-quality audio
equipment, and our engineers
dedicate a large amount of time
designing and testing this vital
component. Everything from the
physical layout and wiring to the
careful selection of smoothing
and reservoir capacitors gets the
upmost attention. And at every
stage of the selection process,
upmost in their minds is how the
changes will affect sound quality.
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