Glenda Bennett, Glenda Bennett - Celtic Woodcraft, Authentic Projects For Woodworkers.pdf

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I~rpobucno~
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tColumba,whowsborn
d~lopedtheirowncuttura~d~
In
Ireland
around
~ ~ 5 2 0
much
of
Celtic
symbolism
r e m i d
,
was
posslbly
one
of
t
k
mmmonSethemall.
most
influential
people
In
me
Origins
of
Celtk
art
ga
as
hr
the
hisrary
of
Celtic
art.
Following
a
as
3WHlsc,
when
megalithic
smnt
dispute
with
the
king
of
Ireland
in
carvings
,were
decorated
with
georrletric
~ ~ 5 6
w e
,
r
the
copyright
of
a
bmk
he
3
patterns,
but
Its
full
W i ~ r n e n
came
t
hadduplicated,StCdumbaem$rated
behlFeen4%and,+X&,atlmeknown
t
Iona,
o f
the
west
coast
~f
mrland,
o
f
as
La
T h e
perid
The
Celn
o
ta
T h e
f
to
set
up
the
monastery.
Frarn
there
M
a
period
produd
bronze
repdud'
impact
spread
throughout
Europe,
and
obi-
for
personal
wear,
as
well
as
many
of
the
manuscripts
stlll
In
home
ornaments
and
religious
p u ~ p a k .
mlstence
were
produced
as
a
dlrea
Fmm
W K
the
Roman
Emptre
gtew
in
result
of
hls
influence.
smmh
afid
Influence
and
con~quently
StColumbau~i-5todthelmportance
mu&
of
the
mltk
mhure
was
of
learning
from
past
masters,
not
only
in
s u p p r e d
and,
&lut%ldI
more
an
artistic
W-ISG
buf
a h
In
a
qdrlwl
outposts
d
*fern
Em6pgmfl
ta
way,
a
lesson
that
still
has
mw
f w
w i n
tErelr.tr8tlmm
W
emrimed
to
today.
In
his
dylng
prayer
far
t h % l q . ~ p k
dewlop
W
art.
These
were
of
Eona
he
said:
Gaitcla
tn
Northern
Spain,
B~lttany,
Wales,
Scotland,
Cornwall,
the
Isle
of
See
tkai
p u
be
'nt
p a
ammg
pwh,
Man
and
Ireland.
In
lreland
espedatfy,
my
&II&n,
and
love
o~~mtker.
tke
hawing
mrffrtlned
free
from
Roman
Wlow
example
of
pd
men
of
old.
control*
~eldc
flburished,
so
by
the
art
time
ChriUanlry
reached
them
in-
the
Much
of
modern
Celtic
design
is'raken
fifth
and
sixth
century
AD
rho
Celtic
from
Irish
manuscripts
6f
the
sjxth
to
zutists
were
able
to
bflng
their
dwn
elghth
centuries,
most
notably
fmm
unlque
Influences
to
thr
.irlumIated
he
&ok
of
Kells,
the
Lln&&ame
mnuscrlprs
that
mon;isEerles
Gospds
and
The
Book
of
Durmw.
4tH
p d u d .
Thdr
pagan
artistk
tradl
f
Ions
the
artists
who
decorated
the
gusg~fs
w r e
not
swept
aside
by
the
coming
of
contajned
in
these
books
were
drawtng
Chrlsttan
lty,
but
were
incorporated
into
'
on
a
much
older
pagan
artistic
the
artwork,
that
decorated
the
tradition, developed,
by
m - e n t
Celtic
handwritten
w l
and
enriched
them
p5
trlks.
Fmm
about
IooOxth4
ocrtlpkd
gmcly.
These
fnslrlar
rnanumpts
were
a
vast
area
radiating
how
& a
Europe
m1
made
up
o
the
four
New
Testament
f
r
Scotland,
Ireland
and
Spaln.
Altkugh
p p t s
of
Matthew,
~ a ' r k ,
Luke
and
a
many
different
tribes
existed
and
john,
written
In
the
Latin
of
the
wtgate
W
'O

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